The Academy of the Sword

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Maestro Jeannette Martinez recently shared an interesting link with the Association for Historical Fencing that I wanted to pass along to you. It is a link to the Metropolitan Museum of Art’s publication, The Academy of the Sword: Illustrated Fencing Books 1500-1800 by LaRocca (1998).

The 38-page publication draws upon several early and rare fencing manuals in the Arms and Armor Department’s library, as well as selected weapons from their collection. Starting with a rare sixteenth-century copy of Talhoffer’s 1443 Fechtbuch, the text introduces major treatises such as Meyer, Capo Ferro, Fabris, Angelo, Danet, and others. The illustrations are cleanly reproduced and the photographs offer some detailed glimpses at exquisite accessions in their collection.

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The Story of a Small-Sword

Here is an 1885 article I found a while back.  The article fictionalizes a small-sword’s biography, from its creation to its retirement.

The article is from the charmingly-named Eclectic Magazine of Foreign Literature, Science, and Art.  Besides its celebration of swordsmanship, the article is interesting as a snapshot into the late 19th-century:  the article is full of classical references, Victorian manliness, and commentary on passing mores.

I haven’t seen this article provided anywhere else, so I hope this is new for people.

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CCF’s Fencers in Local News

missourian_cdOne of CCF’s fencers was recently featured in one of our local papers.   It’s a nice little multimedia piece on her and CCF.  Give it a read.

Here’s the link.

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Parrying Daggers and Poignards

A couple posts ago, I wrote about French authors using the nonsword hand to parry or oppose the incoming blade.  Without too much detail I referred to poignards and daggers, glossing over the distinction to talk about using the unarmed hand.

The link below goes to Leonard Tarassuk’s 1978 article “Some Notes on Parrying Daggers and Poignards.”  At the time of printing, Tarassuk was evidently a research associate at no less than the Metropolitan Museum of Art.  Needless to say, his article is very informative. Not only does it examine the types of parrying daggers used hundreds of years ago, but provides details regarding the distinctions between poignards and dagues.  Its a fascinating article and refers to Italian masters such as Marozzo and Agrippa.  I don’t know if this has already been well cited and linked throughout the Internet, but I thought it worth posting here for anyone else interested.  Here’s the link.

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The Ulfberht Sword

Secrets of the Viking Sword, a NOVA documentary.

The PBS series NOVA has produced yet another stellar documentary.  Although not directly related to classical fencing, Secrets of the Viking Sword is thoroughly fascinating.  Broadcast on October 10, 2012, the episode is an amalgam of historical research, metallurgy, participatory archaeology, anthropology, museum curation, and historic European martial arts.

Secrets of the Viking Sword chronicles the journey of blacksmith, Richard Furrer of Wisconsin-based Door County Forgeworks, and an array of  international researchers, as they attempt to unlock the mysteries of the technologically superior Ulfberht sword, the most prized weapon of the most elite Viking warriors.  Swords of similarly advanced technology do not appear in Europe until several centuries later, raising numerous questions about technological innovation, tradition, and cultural diffusion in the Medieval arms race.  Interestingly, the Ulfberht moniker of this Viking sword is  linguistically rooted in France, further deepening the mystery.

If this whets your appetite, then visit the Nova site or watch the NOVA episode here (53 minutes).

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